The magnificent Great Hall, which welcomes visitors to the NASCAR Hall of Fame.
Maybe it creates a sense of legitimacy, maybe it’s a shrine to honor past heroes, or maybe it just provides a place for fans to congregate in the off-season. For whatever reason, every sport seeks to create its own Hall of Fame. Baseball devotees have Cooperstown, football followers have Canton, and, for NASCAR fans, there is Charlotte.
As Halls go, NASCAR’s is young. The building opened (and inducted its first honorees) in 2010 after a four-year site-selection and design process. While Daytona Beach and Atlanta were both considered, North Carolina – with its deep stock car racing roots and status as home to much of the present industry – was the clear favorite. I recently had a chance to visit the establishment. Continue reading
Did you see the Eames-inspired heraldry flags, paired with our Carousel Collection and After Five Collection, in this year’s Holiday Gift Guide? You can make a set for yourself with this printable.
The flags were inspired by our 1964 Worlds Fair IBM Pavilion Kiosk, which was designed by the office of Ray and Charles Eames. Designed by our Creative Services Manager Cheryl Preston, these flags are simple to make. Simply print them out on card stock, cut out, crease on the dotted lines and secure to a bamboo skewer with tape.
Lish Dorset is Social Media Manager at The Henry Ford.
Many modern students and parents have been the proud recipients of notices or awards sent home from school recognizing any number of positive behaviors. However, this tradition is not new. We’ve just digitized about 60 examples of school rewards of merit, mainly dating from the late 18th through late 19th centuries, designed to be handed out by teachers to exemplary students. The colorful papers rewarded students for conduct such as academic achievement, good behavior, diligence in study, punctual attendance, correct deportment, and attentiveness. You can imagine how excited young Jared Long must have been to have received two honors from the “Bank of Industry” in this example from 1853. Visit our collections website to browse the rest of the rewards.
Ellice Engdahl is Digital Collections and Content Manager at The Henry Ford.
Patricia Kane investigates a piece during her visit to The Henry Ford.
Just weeks before Henry Ford Academy students returned to their school inside Henry Ford Museum, one of their classrooms was transformed into a small furniture study gallery as The Henry Ford hosted visitors on a mission, hoping to bring clarity to a very important time in American furniture making.
Patricia Kane, the Friends of American Arts Curator of American Decorative Arts at Yale University Art Gallery, along with Marcia Brady Tucker Fellow, Jennifer Johnson, traveled to Michigan in August as part of an ongoing research project to identify pieces created by woodworkers from Rhode Island. The Rhode Island Furniture Archive seeks to document all furniture made in that small state from its beginnings into the early 19th century. To collectors and appreciators of 18th century furniture, the most important town in 18th century Rhode Island was Newport. There, the craftsmen of the intermarried Goddard and Townsend families created furniture with a unique look and construction. Their work is not only sought after but tells us a lot about that fashionable Rhode Island town during the 18th century. Indeed, their distinctive style was emulated by craftsmen not only in Rhode Island, but also in neighboring Massachusetts and Connecticut. Continue reading
“Today” show commentator Dick McCutcheon and museum curator, H. S. Ablewhite, discuss Henry Ford’s race car “999,” while Ken Schwartz waits patiently in the driver’s seat. (THF116080)
As most of you who follow The Henry Ford know, television crews have begun filming the Saturday morning educational show, The Henry Ford’s Innovation Nation. Some visitors also may have actually seen the production crews in Henry Ford Museum or Greenfield Village several weeks ago as they shot footage for upcoming episodes. This has not been the first time The Henry Ford has played host to national television aspirations. Nearly 60 years ago in 1955, television crews invaded our campus on three separate occasions to broadcast live remotes. And like today The Henry Ford staff was there to help things run smoothly. Continue reading
October may seem a bit soon to be thinking about Christmas, but if you’ve ever visited Holiday Nights, you know The Henry Ford starts thinking about the holiday season early. Curator of Photographs and Prints Cynthia Miller got into the spirit earlier this fall by selecting some of our Thomas Nast material for digitization. Thomas Nast (1840–1902) was an editorial cartoonist who is well known for his work for Harper’s Weekly and for creating the modern image of Santa Claus. We’ve just digitized Cynthia’s selections, including this etching of Santa visiting a Union camp during the Civil War. Visit our collections website to view all our digitized Thomas Nast material, including additional Christmas images along with some depicting Thanksgiving, Valentine’s Day, and no holiday at all.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
Wright Airplane in Flight during Demonstration Flight by Wilbur Wright, Le Mans, France, August 1908. (Object ID: 2000.53.129)
This week on “The Henry Ford’s Innovation Nation” you’ll learn about the Wright Brothers. Want to learn more? Take a look below.
Henry Ford playing a violin, circa 1920.
For many of us, the music of our youth holds special meaning. It was no different for successful industrialist Henry Ford (1863-1947).
Country fiddlers had provided the lively music for the rural dances of Henry Ford’s youth during the 1870s and 1880s. Ford loved the sound of a violin, even purchasing an inexpensive fiddle as a young man and teaching himself to play a bit.
In the mid-1920s, Ford—then in his early sixties—sought out this beloved instrument that had provided the “sound track” for Ford’s young adulthood in rural Michigan.
But now he had the money to buy the very best. Continue reading
Tattoo History at The Henry Ford
Cover page to Percy Waters’ sketchbook, c. 1925. This flash portfolio contains approximately 277 original full color watercolor paintings that would have been available to customers. (THF 232903)
One day last fall, I encountered—by pure chance and good timing—a collection of early 20th century tattooing materials
credited to “Professor Percy Waters” in the Benson Ford Research Center. The box had yet to be re-shelved, left over from a visiting school group earlier in the day. I was lucky to overhear my colleagues talking about the “tattoo collection,” and when they showed it to me, I was drawn to the contents like a moth to a flame. I had a hard time containing my excitement, showing the staff how some of my own traditional tattoos compared with the “flash” designs the box contained. This collection had an effect on me—a sort of giddy feeling of recognition—like I’d just been reunited with an old friend. Continue reading
Last year, the Institute of Museum and Library Services (IMLS) awarded a two-year “Museums for America” grant to The Henry Ford to conserve, catalog, photograph, and rehouse some of our communications collections. We are nearing the halfway point of the grant, and have digitized more than 400 grant objects so far. Many items we’ve uncovered through this project have been one of a kind prototypes and innovations, but many others, like the pink Princess phone digitized this week, are mass market phenomena. Browse our collections website for radio receivers, computers and peripherals, loudspeakers, vacuum tubes, and calculators, many of which were digitized through this grant. You can also learn more about the grant and see some of the behind-the-scenes work it entails over on our blog, or peruse some of Curator of Communication and Information Technology Kristen Gallerneaux’s favorites here.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.